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Indigenous Women’s Theatre in Canada

A Mechanism of Decolonization

Par (auteur) Sarah MacKenzie
Catégories: Populations autochtones, Groupes ethniques et études interculturelles, Recherche sur l’ethnicité, Groupes sociaux, Sciences sociales et culturelles, Sciences humaines et sociales, Création littéraire, Langues, Langues et linguistique, Production et mise en scène (théâtre), Théâtre et dramaturgie, Arts de la scène et de l’écran, Arts
Éditeur: Fernwood Publishing
Paperback : 9781773631875, 184 pages, Novembre 2020
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Voir la table des matières

Table des matières

  • : Violence Against Indigenous Women and Dramatic Subversion
  • : Reclaiming Our Grandmothers in Monique Mojica’s Princess Pocahontas and the Blue Spots and Birdwoman and the Suffragettes: A Story of Sacajawea
  • : Community and Resistance in Marie Clements’ The Unnatural and Accidental Women and Now Look What You Made Me Do
  • : Media, Gendered Violence, and Dramatic Resistance in Yvette Nolan’s Annie Mae’s Movement and Blade  
  • : Indigenous Women’s Theatre: A Transnational Mechanism of Decolonization
  • : References
  • : Index

La description

Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of 20th and 21st century Canada.