Table des matières

1.England

London 1899-1901

Mrs Simpson?s

London men and Mrs Redden

Queen Victoria

Bushey 1901 and 1902

1901

Sketching classes

Pose

1902

Milford

Lodgings

St Ives August 1901-March 1902

Art School and Students

Hobnobbing with a Sow

Crits

Term End

Christmas

Ghosts

March leaving

London 1902

Big cities

Coronation

Scotland visit

Sickness 1902

Lizzie Arrives

Tickets for Lizzie

Doctors

Sanatorium

Returning home

2.Canada again 1904-1010

A move to Vancouver

Children?s art classes

Cockatoo, Parrot and Rats

Victoria visiting

Alaska holiday 1907

Alert Bay, 1908

Stanley Park sketching

Sophie

Moodyville encounter

Sketching and animals

3.France 1910-1911

Departure

Paris art classes

Sweden

Crecy-en-Brie

Brittany

4.Canada 1912-1945

Vancouver

Simcoe Street

San Francisco interlude
1916-1917.

Boarding House

Early house days to E. Brown

The East calls

Eric Brown

1927 Toronto and Ottawa

Theosophy and Oil on Paper

The Van and sketching trips

5.Stories

Dogs. Billie and Adam

Birds

Onlookers

Coastal trip

Vignettes about Jubilee Hospital

La description

Culled from the handwritten pages in old-fashioned scribblers and almost-forgotten typescripts amid drafts for her published stories, Unvarnished features among the last unpublished and highly personal writings of the iconic Canadian author and artist Emily Carr.

This highly readable manuscript?edited by Royal BC Museum curator emerita Kathryn Bridge and illustrated with sketches and photographs from the BC Archives?spans nearly four decades, from 1899 to 1944. In an almost stream-of-consciousness outpouring of stories, Carr chronicles her early years as an art student in England, her life-altering sojourn in France and subsequent travels to Indigenous villages along the coast, her encounters with the Group of Seven, conversations with artist Lawren Harris, and her sketching trips in the "Elephant" caravan in the company of a quirky menagerie. Also included are stories written in hospital recovering from a stroke, a particularly vulnerable time in her life.

Emily Carr?s books have remained in nearly continuous print since the 1940s. Unvarnished is a fresh addition to her enduring oeuvre, to be enjoyed as a complement to her other writings or as a jewel in its own right.

Reviews

"The BC Archives hold drawings and sketches by Carr that go back to the 1880s, and, in two inserted signatures of colour plates, Bridge has curated a range of handsomely reproduced images rarely or never seen before. Some are youthful works, comical drawings with funny, awkwardly rhyming poems; political cartoons; and sketches that often poke fun at herself and her sisters. ...Kathryn Bridge has done us all a great service, bringing a more fully realized Emily Carr to life; here she is, unvarnished and alive."

--Colin Browne, writer and documentary filmmaker, in The BC Review