Cinéma et films
Lumières vives
C’est au professeur Jean-Pierre Sirois-Trahan que nous devons la redécouverte de ces 88 chroniques de cinéma parues dans Le Clairon de Saint-Hyacinthe entre 1947 et 1949. Nous y retrouvons un jeune ...
Stan Brakhage in Rolling Stock, 1980-1990
This work is both a heavily annotated collection of the reports Stan Brakhage did on the Telluride Film Festival for the magazine Rolling Stock and an analysis of his work that attempts to place his singular ...
The Canadian Horror Film
From the cheaply made “tax-shelter” films of the 1970s to the latest wave of contemporary “eco-horror,” Canadian horror cinema has rarely received much critical attention. Gina Freitag and André ...
Reverse Shots
From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, ...
Cinephemera
What do digital platforms mean for cinema studies in Canada? In an era when digital media are proliferating and thousands upon thousands of clips are available online, it seems counter-intuitive to say ...
Two Bicycles
Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically ...
De l'écrit à l'écran
De l’écrit à l’écran est le premier ouvrage qui aborde la question de la réécriture filmique du roman africain francophone. Il se sert de la sémiologie de l’image, de la poétique et des théories ...
One Man’s Documentary
Graham McInnes was one of many talented young people recruited by the charismatic John Grierson to build the National Film Board of Canada during the heady days of WWII. McInnes’s memoir of these “days ...