C’est au professeur Jean-Pierre Sirois-Trahan que nous devons la redécouverte de ces 88 chroniques de cinéma parues dans Le Clairon de Saint-Hyacinthe entre 1947 et 1949. Nous y retrouvons un jeune ...

This work is both a heavily annotated collection of the reports Stan Brakhage did on the Telluride Film Festival for the magazine Rolling Stock and an analysis of his work that attempts to place his singular ...

From the cheaply made “tax-shelter” films of the 1970s to the latest wave of contemporary “eco-horror,” Canadian horror cinema has rarely received much critical attention. Gina Freitag and André ...

From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, ...

What do digital platforms mean for cinema studies in Canada? In an era when digital media are proliferating and thousands upon thousands of clips are available online, it seems counter-intuitive to say ...

Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically ...

During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The “cinema of consensus,” a term coined to describe the popular and commercially ...

This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such ...

The Radio Eye: Cinema in the North Atlantic, 1958-1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use ...