Beauty in a Box
Detangling the Roots of Canada's Black Beauty Culture
One of the first transnational, feminist studies of Canada’s black beauty culture and the role that media, retail, and consumers have played in its development, Beauty in a Box widens our understanding of the politics of black hair. The book uses an interdisciplinary framework, engaging with African American history, critical race and cultural theory, consumer culture theory, media studies, diasporic art history, black feminism, visual culture, film studies, and political economy to explore the history of black beauty culture in both Canada and the United States.
"Beauty in a Box is a magnificent body of work that centers the hidden history of black Canadian beauty culture in relationship to advertising, retail establishments, and women’s magazines. By including black Canadian women within the visual culture of modernity, Cheryl Thompson rejects the erasure of black female Canadian bodies from representations of beauty and consumerism in Canada. In addition, as a brilliantly pioneering examination of how African American beauty culture shaped black Canada, Thompson fills an important gap in research on global black beauty culture. Beauty in a Box stands as one of the most captivating and well-researched tomes to examine black beauty culture in Canada and transnationally. Read this book!”- Ingrid Banks
The transnational scope of Thompson’s work should not be understated. Indeed, she does an excellent job of showing the late growth of Canada’s Caribbean diaspora following the Second World War as a primary reason for the delayed development of a distinctly Canadian Black beauty culture.- Nicholas Hrynyk
“Beauty in a Box makes a critical contribution to the history of beauty in Canada. One of the first studies to focus exclusively on Black women’s beauty in twentieth-century Canada, it is a wide-ranging, ambitious recuperative work that adds significantly to our knowledge of a Black beauty culture deeply rooted in Canada. …[The book] lays a firm foundation for future work on beauty, the body, and race. “ – Jane Nicholas, Canadian Journal of History 56. 1, 2021